Journal: 18 August 2014

It’s been a bit of a while since I’ve posted here—I don’t want to be one of those blogs where half the space is spent apologizing for not putting up more content, but I do want to mention that I may be posting less often for a while but that I am not hibernating. For a long while there I was binging on designing tatted lace, which makes it really easy to put up a new pattern every few days; I was also completely unemployed. More recently I’ve been feeling a bit tapped out on tatting, having embarked on a couple ambitious knitting projects instead; I’ve also picked up a very, very part-time job which is reducing my need to feel productive by blogging. This particular long break between posts was a combination of the above factors, plus I spent this past week on a family vacation with really poor internet.

Today I have a couple of hand-sewn blouses to show you—both of which showed up in my last tutorial post, but I have a couple more pictures that didn’t really fit in. I’ve got a little bitsy crochet meta-project: a box to hold in-progress projects. I’ve also got a knitting project that I am rather excited about, although I actually have no clue if I’ll like it at all when I’m done.

Sewing blouses

First, progress on the Great Five-Blouse Sewing Project: I have now completed three of five. Photos:

I’m still quite happy with the pattern, McCalls M6035, on the whole, but a little disappointed with how the stand-up collar and short-sleeve variants came out. I love Mandarin collars, but the collar coming forward all the way to the overlapping front makes it rather awkward. I kind of like how it looks with the collar folded down, but a) it’s a very old-fashioned look, which is sometimes but not always a good thing, and b) I used a non-reversible fabric, so you see the wrong side and it looks less professional. My complaint with the sleeves is just that they’re too tight—which may be more to do with my chubby upper arms than anything, so your mileage may vary. The green one is a little frumpy—using the full collar and bishop sleeve variants—but I did it deliberately, so I’m okay with it.

One final bit of news about my sewing situation is that I recently found out that Woot occasionally sells sewing machines. Really nice ones. For half their usual going price. So I’ve got a 185-stitch Brother with automatic buttonholing features in the mail, about which I am exceedingly excited. For anyone keeping score, this brings my total sewing machines up to three, and I barely use the ones I have—on the other hand, there are good reasons I don’t use them. At any rate, I am designating one of the remaining blouses as my getting-acquainted-with-my-new-machine project, and I’ll let you know how that goes.

Crochet project box

basket_inplace

Basket, full of cashmere knitting, in amongst my other crafting things

I’ve got some odds and ends—all right, several skeins—left over from the big bag o’ cotton yarn I got a while back; they are awkward colors that I don’t really want in my kitchen, but I hate to waste good yarn and I don’t mind having a, well, eclectic crafting space. I also have a knitting project on sock needles with cables, with really delicate yarn—so I thought it would be nice to have some way of holding all those little needles and all together and protect the yarn from the rest of my crafting space. Putting two and two together, I made a quick basket in single crochet out of the hideous yarn, and am rather pleased with the result. It’s not the flattest or most beautiful thing I’ve made, but it serves its purpose well enough.

Detail of claw feet

Detail of claw feet

I don’t have a pattern for this wee beasty—I bet you could do as well or better on your own—but the general idea is a flat rectangle worked in spirals, then side walls that use decreases to slope inward a little bit and hold everything together. I do rather like one detail I came up with, which is to give the corners a bit of a claw-foot. The first row of the sides is in normal single crochet, working in only the front loop of the last row of the base; the second is in single crochet except a few stitches around the corners, which are: yo, yo, yo, insert hook in back loop of a stitch on the base, pull up loop, (yo and pull through two loops) twice, insert hook through both loops of a stitch on the side, yo and pull through all remaining loops. From the inside it looks just like a sc or possibly an hdc; from the outside it is a raised column. I did this to the five stitches directly on each corner, then on one stitch to each side separated by one sc. Anyway, a couple more photos:

Knitting a drape-neck shell

Drafting and pattern creation!

Drafting and pattern creation!

drape_frontSo I’ve done a little bit of drafting of sewing patterns in the past—mostly by modifying commercial patterns. The one shown above is traced and modified from New Look 6483; I removed the seam allowance, moved the bust dart, and heavily slashed the neckline to create a drape-neck. I had an idea a while ago to make this in diagonal knitting, but ended up getting too frustrated and scrapping it. In the meantime I added the seam allowances back in and sewed the shirt shown at right, which I wear pretty frequently and like. Just before heading off on vacation, though, I realized I didn’t have a project to take on the airplane, so I hauled it all out and set to work.

Back piece of shell

Back piece of shell and first few rows of front

For some reason—I am not at all sure why this is—I hate the thought of making knits in sections and then joining them, even though I don’t mind sewing at all. I think it just offends my sense of elegance: there are so many shaping tools you can bring to bear in knitting, so you should be able to make fairly complicated garments all in one go. Plus, I hate cutting yarn, in case I decide later to rip out the project and do something else with it. At any rate, this means the construction plan needed some thought. I figured out that I could do a one-piece sleeveless shell by starting at the back, at armpit level; working upwards to the neck; working the neck like a buttonhole with a bind-off and then cast-on in the middle of a row; working down across the bust to the armpit; then reconnecting with the back and working the torso in the round. Connecting this plan to the sewing pattern required making a gauge swatch, then taking a lot of measurements across my pattern and converting them to stitch counts. At the end of a couple hours’ work I had a plan of increases and decreases.

Shoulder showing slip-stitch shaping

Shoulder showing slip-stitch shaping on outside edge

The first cast-on, since it needs to be joined later, is the double-sided cast-on you’ll see sometimes for toe-up socks: the yarn is just wrapped around and around two needles. The main part of the work is all in stockinette, since I don’t have the patience for complicated drafting plus lace at the same time, on oversized needles. The armhole shaping, which is horizontal, is done with simple decreases and increases. The back-neck and shoulder strap shaping, which is vertical but doesn’t need to be precise, I did by making some sections of (slip 1, k1)/(slip 1, p1) work, which compresses vertically. Apparently this stitch curls a lot though—hopefully I can get it flat in blocking, or failing that by sewing in a facing.

Detail of front showing cast-on

Detail of front showing cast-on

The bind-off for the neck is the usual knit bind-off, with the trick of working a knit-in-front-and-back stitch at the beginning to avoid gapping or distortion. The cast-on for the neck I wanted to make a little decorative, so it’s actually the tatting double stitch, which does just fine and creates long, lacy loops at the edge. Now I’m beginning the long, slow slog of decreases to shape the drape-neck and front armholes.

 

Detail showing yarn colors

Detail showing yarn colors

The yarn, by the way, is premier yarns’ serenity sock weight, which I’ve mentioned loving before, in the Harlequin colorway. It’s coming through really dull in my photographs, for some reason, and indeed in the online-yarn-store photographs I can find, but in person it’s a really vibrant mix of Mardi Gras teal, purple, gold, and a bit of leaf green. It’s somewhat of an interesting experience to work with—in some lights I love it and think it’s the best thing, in others I hate it and suspect I will never wear the shirt. So I’m feeling a bit of trepidation about this project. On the other hand, this yarn definitely does not want to be a shawl or a scarf or anything, at least to my mind, so I’m not sure I lose anything if the shirt doesn’t turn out great either. Wish me luck!

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6 thoughts on “Journal: 18 August 2014

  1. Pingback: Journal: Back from hiatus edition | seesawyer

  2. Pingback: Journal: 27 October 2014 | seesawyer

  3. Pingback: Journal: 15 October 2014 | seesawyer

  4. Pingback: Journal: The lesson is learned | seesawyer

  5. Pingback: Journal: 8 September 2014 | seesawyer

  6. Pingback: Journal: New sewing machine edition | seesawyer

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